Andrea Cabrera Luna

Andrea is the artistic director of Anahat Theatre.

Directing credits include: The Arsonists (Royal Conservatoire of Scotland); Scenes from The Duchess of Malfi (Shakespeare’s Globe, London); Hotel Juárez (University of Edinburgh/Assembly Roxy); I Am That Girl (Scottish Storytelling Centre); Waterfront Wasteland Medea Material Landscape with Argonauts (Etcetera Theatre, London); Seven Jewish Children (El Taller, Mexico).

Prior to training as a director at the Royal Conservatoire of Scotland, Andrea won a FONCA scholarship to read an MA in Performance and Culture at Goldsmiths College, University of London. She holds a BA in Acting from the National School of Performing Arts (ENAT) and a BA in English Literature from the National Autonomous University of Mexico (UNAM).

Andrea is currently working on Instructions on How to Cry, a devised dance theatre performance exploring the science and mystery of human crying.

http://anahattheatre.com

Latest

Black Lives Matter

We commit to supporting Black Lives Matter and playing our part in challenging the power base of British theatre.
Heard by an idiot

In theatre music can be a seductive and powerful element, and can make poor material appear stronger than it actually is. We don’t rush to include music but try to let it in gradually, as ever remaining conscious of juxtaposition and surprise. I thought I would share ten iconic tracks that have featured in our work over the past twenty seven years. Enjoy.
Naomi Wilkinson Award for Stage Design

Created to honour a friend, collaborator and extraordinary designer.
Assistant Director Placement Programme

The opportunities we offer to early career Directors.

Amalia Vitale on being an actor that doesn’t speak…much. At least not in a normal way.

Amalia Vitale shares her interest in working with linguistic restrictions, voicing Lula in the new Shaun the Sheep film Farmageddon, and the joys of playing Charlie Chaplin in 'The Strange Tale of Charlie Chaplin and Stan Laurel'.
Week 3: The role of the designer

Ioana Curelea shares her thoughts and process behind designing the set for 'The Strange Tale of Charlie Chaplin and Stan Laurel'. Including why, at one point in the process, she considered moving to Nepal...
Week 2: The past interrupts the present, reality turns into fantasy, fantasy turns into reality

Andrea Cabrera Luna, Assistant Director for 'The Strange Tale of Charlie Chaplin and Stan Laurel' gives us a sneak peek into week two of rehearsals...
Week 1: Rehearsals begin!

Andrea Cabrera Luna, Assistant Director for 'The Strange Tale of Charlie Chaplin and Stan Laurel' gives us a sneak peek into week one of rehearsals...
Week 4: Taking risks and not tiring, even up to the final minute

'Every actor in the cast is a brilliant improvisor and they complement each other in a unique dynamism. I notice they are “yes and” actors. I watch them trying different options and taking risks throughout the day, not tiring even up to the final minute.' Welcome to week 4 of rehearsals...
Idiot Show Archive

your opportunity to see archived Idiot shows
The Strange Tale of Charlie Chaplin and Stan Laurel

Touring across the UK and in Luxembourg from November 2019 - March 2020.
Idiots in Isolation

As we all live through these extraordinary times of constraint, we have put together an exciting programme of activity that responds to our current sense of isolation and allows people to continue to engage with our work digitally.
Technical Week at Theatre Royal Plymouth

The introduction of silent film captions, lighting, quick changes and happy accidents!
Heard by an idiot

In theatre music can be a seductive and powerful element, and can make poor material appear stronger than it actually is. We don’t rush to include music but try to let it in gradually, as ever remaining conscious of juxtaposition and surprise. I thought I would share ten iconic tracks that have featured in our work over the past twenty seven years. Enjoy.